Blain|Southern opened its Berlin gallery last friday with an exhibition by
Monumental both in scale and ambition, Turning the Seventh Corner is a site-specific installation inspired by the tombs of the Egyptian Pharaohs which has been made in collaboration with the internationally acclaimed architect David Adjaye.
Tim Noble and Sue Webster are best known for their ‘shadow sculptures’ in which they use discarded rubbish, animals and other matter that are then illuminated from a single light source creating portraits of themselves. Their work also includes light sculptures which elevate the kitsch of low art forms, such as Las Vegas strip hotels and tattoo parlours, into iconic tropes of pop art. Turning The Seventh Corner draws on these and other practices. However, the artists’ desire for an element of surprise and mystery has led them to hold back on revealing every detail of the work, which they have created as a journey of exploration.
Upon arriving at the doorway on the second floor of the gallery the viewer enters a labyrinth of man-made tunnels, dimly lit with narrowing passages. These ascend and descend in a spiral-like manner and have been designed to disorientate and, in doing so, steer the mind towards a more open and meditative state, one alive to enquiry.
After passing the seven corners, an allusion to the Book of Proverbs, 9:1 - "Wisdom hath builded her house, she hath hewn out her seven pillars", the viewer enters a tomb-like area where the secret creation by Tim Noble and Sue Webster, one of beauty, surprise, wonder and enlightenment, is revealed.
Turning the seventh corner can be seen at the Blain|Southern in Berlin until the 16th of July
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